Thara Ticket

Friday, March 17, 2006

Kalabak Kadhalan

Kanmani character had dollops of negative shades but it only spurred Akshaya to shed her inhibition and walk away with honours and pride intact. Her improvisation meant an extended footage with the added comfort and luxury of four songs canned on her. The film in reference is Kalabak Kadalan, where the unpretentious teenager turned out to be a tough customer. As the one madly in love with her sister's husband, she pleads with him to accept as the second wife. She has to get her man, come what may, not averse to jettison her clothes and shed copious tears. Hogging all the media attention in that fiery act, Akshaya sounded that it is only the start. Could not have been better or so one thought till you got to hear what it really meant from the horse's mouth! A second year student of business administration, Akshaya said she is no mean singer, both in the classical and light form. Stage shows were one too many, happy to be the lone female voice for it presented more opportunities. Akshaya's first taste of the medium was much early, totally in awe as the younger sibling of Simran in the unconventional storyline of KovilpattiVeeralakshmi. 'You only carry happy feelings of the experience sharing frames with Simran and brush up the camera knowledge from a seasoned hand like Ashok Kumar. Director Rajeswar had the guile to project it in a huge canvas. It was good for starters, helping to get an insight of the field and allied areas.' Akshaya has a few offers lined-up soliciting her consent. Getting typecast and falling in the rut is the uneasiness playing her mind. Now that she has the time to sit back and look at the stars, it does not seem so distant. The dark horse of Kalabak Kadalan has the trappings of a long distance as the tag.

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